The rumor that Can Yaman might appear as a guest—or even as a co-host—for Sanremo 2026 has been palpable for weeks. Ultimately, the global phenomenon of Sandokan has cemented his status as one of the most in-demand actors in the industry.
The stars aligned perfectly: the festival coincides with the 50th anniversary of the original 1976 debut of the "Tiger of Malaysia." This historical milestone reportedly convinced Rai and Artistic Director Carlo Conti to extend an official invitation to the Turkish sensation for the festival’s opening night on February 24.
While the Artistic Director has kept a tight lid on official details (save for a cryptic social media teaser featuring himself in Sandokan’s attire), the leak comes from a powerhouse source: Adnkronos, one of Italy’s most prestigious and reliable news agencies.
This invitation marks yet another victory for Yaman, who is slated to step back into the shoes of Emilio Salgari’s hero in late June for the filming of a second season. The series has already proved a juggernaut in Italy and, since its January 17 launch on Disney+, has been racking up critical acclaim and viewership in the United States.
Credit for the show's success extends beyond the lead to a first-rate ensemble, including Alessandro Preziosi as Yanez, Alanah Bloor as Marianna, and Ed Westwick, all masterfully guided by directors Jan Maria Michelini and Nicola Abbatangelo. Yaman’s appearance on the Ariston stage is expected to be the platform where he finally reveals the exact production start date and provides a tentative timeline for when Italian audiences can expect the second season to hit the small screen.
Past and Present Collide on the Ariston Stage
Rumors currently circulating suggest an even more iconic moment: the potential presence of Kabir Bedi alongside Yaman. This would represent a symbolic "passing of the torch" between the two actors who have defined Sandokan for different generations.
Yaman has earned widespread praise for breathing a unique soul into Salgari’s pirate without falling into the trap of mere imitation. His portrayal is the result of a grueling five-year journey—a period during which he chose to relocate to Rome, master the Italian language, and undergo rigorous training in horsemanship and saber combat.
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